home : browse : advanced search : preferences : my favorites : about : help    CONTENTdm Collection
	Search results for Went    Refine your search Creator 1 () 1 () 1 () 1 () 1 () Show more... results 1-20 of 33 item(s)  page 1 of 2 : ( <<  1  2  >> ) :: previous : next select all : clear all : add to favorites   Image: Title: Description: 1. [Bookplate for Edward Steane] This simple textual bookplate contains the originator's name in black ink, and also includes the location. Slight discolouration of text on surname. 2. [Bookplate for Earl Gower by Griffiths and Weigall] This heraldic bookplate consists of a escutcheon, divided per cross or quarterly. Quarters one and four are argent (silver) with bars, gules (red) and charged with a cross patonce, sable (black). Quarters two and three are azure (blue) charged with leaves, two over one. The escutcheon is supported by two wolves rampant. Upon the escutcheon is a crown of earl status (minus the internal cap). Above the escutcheon is a crest of a wolf passant upon a straight wreath. Below the escutcheon is a banner with Latin motto within. 3. [Bookplate for Edward Steane] This bookplate, in black ink, consists of a straight crest wreath, on top of which is a rock and eagle, wings addorsed and elevated. Below the crest is a banner containing the Latin motto. The image is bordered by a single line frame. 4. [Bookplate for Baron de Hirsch Institute and Hebrew Benevolent Society] This bookplate is in two parts: One to show ownership by the library, the other to show who made the presentation of the book to the library. 1) In black ink on white or cream paper. The bookplate consists of lines for recording location information, the seal of the institute [two concentric rings with the name and dates of the institute surrounding the inner circle, which contains a Star of David surrounding some Hebrew text], and other lines for noting the number and receipt date of the book surrounding the library name. 2) In black ink on white or cream paper, the bookplate consists of a thin border surrounding black text. 5. [Bookplate for David Stewart Erskine] This bookplate consists of an escutcheon, quartered per cross, and contains an inescutcheon. The first quarter, azure (blue), contains three garbe, two over one. The second quarter is itself quartered per cross, first and fourth quarters, azure with an or (gold) riband and six cross crosslets fitchy sable (black) ; the second and third quarters are argent (silver), with a pale, sable. The third quarter of the escutcheon is also itself quartered per cross, first and fourth quarters, or, with a fess in checky (alternate squares of metal and fur), argent and azure ; the second and third quarters are azure, containing three garbe, two over one. The fourth quarter, argent, with six bars, gemelles (doubles), contains a lion rampant, sable and proper. The inescutcheon, gules (red) contains an eagle, displayed and proper, and a ray of sun issuing out of the dexter corner. Atop the escutcheon is the coronet of an earl, topped by a grated helmet (peer), dexter. Upon the helmet is a curved crest wreath and a dexter cubit arm holding a club. From either side of the crest flows elaborate mantling. The escutcheon is accompanied by two supporters. The dexter supporter is an ostrich, while the sinister supporter is a griffin. Below the escutcheon and the supporters is a banner containing the English motto. 6. [Bookplate for Hôpital Général d’Ottawa No. 6] Stamped in black ink on textured, yellowed paper. In the centre, a white cross is depicted on top of a mound of earth. At the centre of the cross, the Catholic icon of the Sacred Heart is depicted: a heart with a flame above it. From the earth, a vine of ivy grows and weaves around the cross. This image is framed by two banners above and below, which bear two phrases in French: “J’ÉTAIS MALADE ET VOUS M’AVEZ VISITE / JE SUIS L’ APPUI DU FAIBLE.” This is enclosed within a circle, which is framed by another circle with a scalloped edge that contains the identification: “SOEURS GRISES DE LA CROIX / OTTAWA.” The entire image is framed with a single black-line border of a wavy line with simple scrolled decorative marks at all four corners. 7. [Bookplate for Alfred Hawksworth] Red ink on cream colored paper. A thin border in an alternating pattern of three-leaf clovers (trefoil) with a stem and simple curlicues. Border houses the name and number of the bookplate. 8. [Bookplate for G. P. Girdwood] Oval-shaped circular border with legend containing a motto printed in capital block letters across the top half. Bottom half of the border has shading, decorate circles, and a decorative end. Border made to look like a ribbon, one end of which loops over the bottom of the oval. End of the ribbon has thin borders, circular decorations, and almost tapers to a point with decorative curls at the end. In the center of the oval is a demi-lion rampant guardant. In its right paw, the lion holds a tree with round foliage at the top and sprawling roots at its base. Below the image is text written in stylized sentence-case serif font. 9. [Bookplate for Gerald E. Hart by Edwin Cox & Co.] Multicoloured ink on cream paper. Leaves with three pointed leaves adorn the corner of a brick pattern background. The leaves and brick are a pale green. There is an elaborate image printed on top of the pale green pattern. The bricks form an arch shape in the top centre to surround an elaborate multicoloured, painted arch. The arch is brown, gold, and black with ‘X’ decorations and borders. The arch surrounds a multicolour stained glass window, at the forefront of which sits a monk writing in a book. The stained glass window features a central circular decoration with three red circular borders surrounding three yellow circles, in the center of which are yellow flowers with three petals and green accents. In the outer spaces between the circles are rounded triangular lined insertions. At the very center of the three circles is a three ringed circle. To the bottom left and right of the circle decoration are more teardrop shaped sections with tapered bottoms. They each features yellow flowers with stems. Below the right floral decoration are two more similarly shaped sections with a swirling ribbon in each atop a blue crosshatch background. The arch connects to a Romanesque pillar on either side. The arch connects to an elaborately decorated bench, which has a golden floral motif. A bearded monk sits on the bench in floor-length yellow robes. The monk faces the right, where there is a desk. The desk is decorated on the side with ‘X’ decorations. Atop the desk is an open book that the monk is writing on. Below the desk is a decorative bird with a long, curved neck and floral elements extending from its back. The bird is accented with gold. To the right of the bird, partly reaching up to the top of the desk, are two rolled up pieces of paper. The floor consists of two thin platforms with green accents. A smaller rectangle is below with a gold crosshatch pattern. Text in the style of medieval manuscripts is printed atop. The first letter of each word is more stylized and in red font ; the rest of the text is blue. A thin ledge extends from the bottom of that rectangle. It tapers down to a more narrow line with two small pointed feet at the left and right sides. In that small section is a repeating geometric pattern in gold on a brown background. Below the entire image is small, red, capitalized, sans-serif font. 10. [Bookplate for J. I. Frank Anthes] In red and black ink on cream or white paper, the bookplate consists of a red double border surrounding black text. 11. [Bookplate for Frederic Lumb Wanklyn] In brown ink on white paper, a flying duck within a darkened circle is at the centre of the bookplate. It appears to be affixed to a post, on top of which there is a sign that reads 'Ex Libris F.L. Wanklyn.' The post is standing in a marsh. 12. [Bookplate for Catherine Aishton] In black ink. A rectangle. Celtic dog knot-work on the top, bottom, and left sides of a box with the text in it. Between "EX LIBRIS" and "CATHERINE AISHToN" is a boxed line of more Celtic dog knot-work. 13. [Bookplate for Charles Manby by Suffield] In black ink, this bookplate consists of an escutcheon divided per pale, with a stylized bordure. The dexter quadrant, gules (red), is charged with a lion rampant and a chief, argent (silver), with three martlets. The sinister quadrant, gules, is charged with four etoiles, two over two, and contains a canton, coloured ermine (white powdered fur with black tufts), in the dexter chief of the quadrant, covering two-thirds of the etoile in that location. The canton represents the banner of the ancient Knights Banneret, which is an honourable order which has become extinct. It was on order conferred upon persons, recognized by a king or general, that had perfomed some heroic act on the battlefield. The escutcheon is crested by a straight wreath and a lion passant guardant, holding what appears to be a millrind, sable (black) in its dexter paw. The millrind is placed in the centre of a grindstone to protect the hole in the centre from the action of the axis ; it is a charge frequently used by persons connected with agriculture. Below the escutcheon is a banner containing the Latin motto. 14. [Bookplate for Philip Southcote] In black ink, this bookplate consists of an elaborately bordered escutcheon, argent (silver), charged with a chevron, argent, three ducks, two over one and dexter, and an annulet at the precise middle chief. The annulet symbolizes the fifth son. The escutcheon is crested by a dexter closed helmet. Atop the helmet is a curved wreath and another duck, dexter. From either side of the crest flows elaborate mantling. 15. [Bookplate for National Prison Reform Association] In black ink on white paper. Image includes a rectangular decorative border in a repetitive pattern. Within the border all of the text is in a capitalized sans serif font, except the owner's name, which consists of upper and lower case letters in a serif font. 16. [Bookplate for L. M. Stauffer by Stanley Harrod] In black ink on white paper, this bookplate consists of a shield or escutcheon Argent (silver). On dexter side, a twelve-point etoile. On sinister side, a dexter arm holding a cup. A trefoil Argent protrudes from the middle base of the escutcheon. The front facing, barred helm bears the crest of a bearded man from the waist up holding a cup in his right hand. The helm is surrounded by mantling. Below the escutcheon, a banner bears the text 'S H / L. M. Stauffer / 1917'. 17. [Bookseller's Ticket for James Bain] In black ink on white paper, the bookseller's ticket consists of a serpentine black border with decorative elements in the four corners surrounding black text in roman and italic type. 18. [Bookseller's Ticket for W. C. Chewett and Company] In black ink on white or yellow paper, the bookseller's ticket consists of a double border surrounding black text. 19. [Bookplate for Hill’s Library] Black ink on yellowing paper. Typewritten text in capital letters and bold followed by sentence case letters in varying serif font sizes. There is a thin line with stylized dots in the centre separating text. Below the line, text is written in large, capitalized, bold serif font. Below that is text written in bold, sentence case. Text is then written in non-bold capital letters. There is a thicker, stylized line with three dots in the centre separating text. Below the line is text written in capital sans serif font, followed by text in smaller, bold sans serif font. Further text is right aligned and written in italicized serif font. Text is then written in capital and sentence case serif font in multiple sizes with section separated by dots. Graphic of hand with index finger pointing right is next to capital, sans serif font. A squared squiggled line is below the finger graphic and above faded text in serif font. Below that is serif font in capital letters and then bold serif font in bold letters. That is separated from bold, capital, serif font with a squared, squiggled line. The following serif font is bold. Below that is larger, bolder serif-font. The following text is written in smaller sentence case and capitalized serif font. Below that is sentence case serif font, followed by larger sans serif font and then bold, capitalized, serif font. The last part of the text is written in sentence case serif font. Handwritten notes cover some of the typewritten text on the right side of the bookplate until approximately halfway down the bookplate. The bottom two corners of the bookplate have been cut off. The bookplate appears to be printed on top of a newspaper or magazine clipping, the recto of which is slightly visible through the bookplate. Black ink serif font text and some imagery are visible. The verso of the bookplate is clearly the other printed side of the magazine or newspaper with serif fonts in bold capital letters and non-bold sentence case letters. The recto of the original print is also slightly visible from the verso side. 20. [Bookplate for J. W. Longley by Francis Adams Sc.] Black ink on white paper. The crest features an arm grasping a dagger. The blade of the dagger has pierced the head of a bearded man that resembles a lion head. The arm is atop a crest-wreath. The wreath sits on a flower with a round center and 5 petals. To strips extend out of the flower across the front and back of a ribbon, connecting to the top of the shield. The ribbon extends straight out with curling ends. The motto is printed on the ribbon in black, capitalized, serif font. Shield is ermine with a black bend. Bend charged with three cheetah heads. The shield features a sinister canton paly. Underneath the shield, the bookplate owner’s name is printed in large, black, sentence case, gothic font. More text is printed below the name in smaller, black, capitalized, serif font. select all : clear all : add to favorites results 1-20 of 33 item(s)  page 1 of 2 : ( <<  1  2  >> ) :: previous : next
	powered by CONTENTdm ® | contact us  ^ to top ^